创作人把自己当救世主实例自从the big short尝到奥斯卡的甜头Adam Mckay就走上了成魔之路但别忘那可有Michael Lewis的原著打底这部比vice还焦虑攒了一堆大咖宝宝腿再张大一点就能吃到扇贝了也不好看只能感概现在除了怀念step brothers、anchorman那时的纯真以外还要为他和Will Ferrell的友谊哀悼
飘行者:171.10.128.7
The interconnectivity between class, history, and the approach to mortality and/or timelessness. The connection each person has with the past and the stories it reveals comes from different sources, be it erudite traditions or heartfelt respect. The portrayal of the down-to-earth "amateur" lower class Brown is endearing, not a bit of smearing. Good.